Who gets to stay? Who is pushed out? And who decides? Four colleagues sit in a meeting room. Jobs are on the line. The rules are unspoken, but everyone knows them. Bull is a strained and unsettling examination of workplace bullying, power and survival. As pressure builds, alliances shift and cruelty surfaces, exposing a system where fear thrives and empathy disappears. Sharp, darkly funny and deeply uncomfortable, Bull lays bare the human cost of a working culture shaped by competition, hierarchy and silence. How far will people go to protect themselves? Presented in Deafinitely Theatre's distinctive bilingual style combining British Sign Language and creative captions.

Last year, Judith retired from her life-on-stage. Already, she misses the applause. Idling away at their country home, the rest of the family – reclusive novelist husband David and failure-to-launch children Sorrel and Simon – are too self-involved to be a good audience. So, Judith invites a young fan as her guest for the weekend. But unbeknownst to her, each of the Blisses have a guest of their own arriving at the very same time. Completely unsuited to hosting and allergic to compromise, the house quickly erupts into a chaos of parlour games, put-downs and unrequested encores.

Can you put a price on happiness, beauty and love? Husband to ballerina Lydia Lopokova. Lover to Duncan Grant. Friend to Virginia Woolf. Keynes moves between the corridors of power in Whitehall and the intoxicating freedom of a radical circle of artists, writers and lovers - all determined to live differently. But as markets crash, old systems crumble and Britain teeters on the edge of chaos, one question begins to consume him: What is a good life? Can art, love and human connection reshape the future before it's too late? Or is the world too addicted to wealth and power to change? Alive with music, dance, desire and debate, The Standard of Living is a thrilling, funny and deeply moving portrait of a man who dared to imagine something better.