Ranyevskaya and Lopakhin are giants at war over a cherished estate. Madame Ranyevskaya returns from five years in Paris to find her house crumbling under the weight of debt and memory and her beloved cherry orchard under threat. Attempting to mend her extravagance, Lopakhin, the son of a serf, insists that the family must sell it off. Beyond the orchard, people are starving and the aristocracy is in decline. As auction day approaches the household begins to panic. In this collision of past and future, it's dangerous to stand still when the world demands change.

As Director of the FBI for almost 50 years, Hoover was the most powerful man in America. Yet behind all the machismo and homophobia was his concealed sexuality, his secret partying and his lifelong love affair with his deputy, Clyde Tolson. Here was a man who stopped at nothing to exert his control - yet underneath the petticoats of power lay his own secrets...

“If you think I'm doing the rest of this in French you've got another thing coming!” A rehearsal from hell. An actress who's way too into her feelings about the role she's playing. And a complete spiral into doubt, defiance, and the uncontrollable urge to sing about it. I Can Die Too is giving fourth-wall-breaking, tragicomedy, musical theatre chaos, all at once. Come and watch something fall apart in real time. It's fine. It's totally fine.